Even when you play, say, an E on the 4th string, second fret and that same E on the 5th string, 7th fret, resonance is at work to make those two identical pitches sound different. When you’ve tuned a string and then pluck it, what’s happening is that it’s mass is responding to your energy induction by resonating at that tuned frequency. Think of a guitar and its six-or-so strings. More than any other synth parameter, filter resonance is that finishing touch which lets you transform your sound from a generic synth patch into something unique, powerful, and interesting – and that’s when the patch is in isolation! One you master filter resonance, you can transfer all your listening and programming skills into the larger field of sound design, film scoring, composition, mixing, mastering, and every other audio-related field including Acoustics! National Resonator All it does is boost the frequency range around the filter’s cutoff frequency, right? Well, yes but that tiny feature can transform your sounds in amazing ways as I’ve shown in this week’s Ninja Training on resonance. Resonance, on the surface, is one of the most innocuously seeming parameters. Want alien sounds that put you in the year 3018? Resonance is the genie fulfilling each and every one of these desires. Want a cutting bass that competes nicely with your kick? Check. Want a dull sound that doesn’t interfere with your lead? Check. If you really want to skyrocket your skills then just get the free download of Syntorial here.īesides helping you in all areas of audio, mastering synth filter resonance will put you in charge of your sound design. However, if you want to accelerate your sound design progress, then you must master filter resonance. ![]() There is nothing less inspiring for some producers than listening to a basic sawtooth come out of an initialized synth. I get it: there is a big disconnect between loading a killer patch compared to beginning with a blank slate.
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